Wednesday, March 28, 2012

Repair Wood Picture Frames

Repair corners on a wood picture frame.

Lots of things can cause a picture frames corners to come loose and for the frame in general to become in disrepair.

The constant expanding and contracting caused by temperature and moisture changes that go on during the day in most houses.

A trip to the floor can really loosen a picture frame's joints.

Fumes from cooking can be rough on the picture frame corner joints and the finish as well. Outside polutants that come inside every time a door or window is opened can be bad for wood picture frame joints and finish.

Picture frame repair is pretty easy to do as long as you do it slowly and carefully.

Separate the loose wood picture frame corners.

If a corner joint needs a little prying always pry from the underneath part of the frame and never from the top, because it will compress the wood on the frame member on one side.

Never pry from the outside of the corner, as it could break a portion of the corner off and if you pry from the inside of the corner it will compress the wood and make the corner appear to not join properly.

Want to learn from a master, click HERE to talk to High Street Gallery in Auburn.

Tuesday, March 6, 2012

Needlework, Textiles & Frabrics for Proper Custom Framing

 

Needlework, Textiles & Fabrics - Proper Custom Framing
Custom framing is an excellent choice for displaying needlework (cross stitches, hooked rugs, tapestries, quilts, etc.) as well as most kinds of textiles, and other fabrics such as painted silks. A well designed frame showcase not only offsets the beauty of the work, but also protects it from environmental damage.

The approach to framing each of the above mentioned materials will vary from one piece to the next. A large, heavy hooked rug for example, needs to be handled differently than a delicate silk. Following are some ideas and suggestions on methods of framing these materials, things to take into consideration, and questions you might ask the custom framer of your choice.

One of the first things to pay attention to is the weight of the material. Anything that is very light weight or delicate should be put behind glass. It is a good idea to put all items behind protective glass, but heavier, sturdier items can go without if that is your choice.

The glass though, should never come in direct contact with the piece of art. Either matting or some type of spacer needs to be used to lift the glass slightly. This is something that should be discussed with and explained by your custom framer.

Another issue to address is how the item will be presented and "mounted" in the frame. A cross stitch should be stretched and blocked over an appropriate backing, hiding the rough edges, while something like a quilt or tapestry should be sewn to a backing and allowed to hang, exposing the edging which is generally intended to be seen. (Reinforcements such as Velcro strips behind the quilt may be called for if it is of a particular weight or size.) Although glass is a reasonable extra measure to take (and anything with existing damage should be protected with it), some opt to forego glass on sturdier materials such as these. Again, these are things to discuss with a professional.

The type of matting and/or backing is an important subject to decide on as well. While the colors in most cross stitches look attractive using cotton matting, textiles and such often have a depth and richness of color that is not necessarily enhanced by the use of cotton mats. They can have a tendency to appear dull. Consider using mats wrapped in linen, silk, suede, leather or other materials that might complement the vibrant dyes in a more suitable way. There is a wide variety of matting available that comes already covered in these types of fabrics, or any professional should have the ability to wrap a mat with the fabric of your choice. The options are many, so feel free to collaborate with your custom framer.

Last to choose is the frame. Pay close attention to the amount of detail in the art work. Very often, the detail is extraordinary and complicated. If this is the case, while you may be tempted to choose an elaborately styled frame to "match" the design, it is usually best to go for something simpler and more toned down. A moulding with intricate detail against a tapestry with intricate detail will "fight" for the viewer's eye. Ultimately, the goal is to offset and enhance the art with complementary colors, tones and style. The last thing you want to do is overpower the art with a frame that is too much. Conversely, when framing something such as a minimalist, Asian-styled, hand painted silk, you may prefer a moulding with a bit more detail to it. The piece may appear too lifeless without a more decorative frame.

It is important that each of these types of materials be handled and treated properly to ensure its longevity. Once the correct treatment has been addressed, there are many choices and decisions to make when it comes to the overall design. One person's taste is not the same as the next. Take the time to consult a professional (or more than one), get his or her feedback and choose the one with whom you feel most comfortable so you are confident the best possible showcase was created for the work of art.

The key to framing these kinds of materials, click HERE for High Street Gallery, Auburn California